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Photographer: Jason Nocito
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Photographer:Philip Horak
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Photographer: Tom Corbett
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Photographer: Dan Winters
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Photographer: Marvin Scott Jarrett
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Photographer: Joel van Houdt
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Photographer: Dan Barham
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Photographer: Jason Florio
Note: Content for The Daily Edit is found on the newsstands. Submissions are not acceptedHeidi: What is the biggest challenge in doing an assignment like this?
Jason: For me the biggest challenge was the often constant sprinting and shooting, at times for 8 hours, covering up to 15 miles a day for 4 days! Running ahead of the hikers to shoot them coming towards me in the landscape. Running to catch up with them as I shot something along the way or waiting for them to become small figures in the environment .Shoot, then sprint to re-join them. Shoot, sprint, shoot.
Did you pitch this story or did they assign this to you?
Backpacker magazine approached me. The photo editor Julia Vandenoever had seen my work and also heard I had made a 930km expedition by foot in The Gambia, West Africa in 2009 with my wife, so thought I’d be a good candidate for such an assignment
Who are your backpacking companions? Was the writer one of them?
Yes, I was with the writer, Dennis Lewon who is Executive Editor at Backpacker. Dennis was a pleasure to walk/run and work with. I really enjoy working along-side writers on assignments as you have another set of eyes and ears and especially in Dennis’s case where he was the main character in many of the images, which we crafted together in number of instances. The other two folks were David Landis and his wife Anna, two intrepid young Americans, who co-founded the ‘Jesus Trail’ route. They both brought extensive knowledge of the area with them, so I not only got to enjoy the scenery and culture, but gained great insight into the area during biblical as well as modern times from them.
Photographer: Martin Schoeller
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Photographer: Peter Schafrick
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Heidi: Was that commissioned or existing work?
Peter: The piece I shot for Golf Digest was commissioned. They saw some of my personal work I shot using paint and sporting equipment (baseball, football, hockey, and tennis) plus some of the work I’ve done with paint and flowers – and they wanted something similar. Their requirements were that the equipment not be brand recognizable in order to create an powerful image to open for their ‘hot’ new golf gear.
Is that a special type of paint for your splash and crash series?
Nope. Just regular paint.
Did you specifically set out to develop that body of work? How did that idea come about?
My first experiments were with a rose, that I dunked in paint and twirled around. I then expanded the technique by doing a sports theme.
Are you using fans or is it all real motion?
It’s all real motion. I hold the club, dunk it, then swing it.
“The Making Of” shows us this must be a difficult edit because there are so many options, how do you edit this work?
Edits can be a chore! It’s so subjective, and so many of the shots each have their own uniqueness and beauty. Some are very splashy and look really amazing, some more elegant and they too look great. It’s quite easy to come up with at least 6 very unique and interesting final from a shoot like this. Usually the client has a very specific look in mind, so many times the out-takes make it into my book.
Who cleans up the mess?
The mess is somewhat controlled with a lot of plastic. We just wrap it all up and let the paint dry (I also place a piece of optical glass in front of my camera/lens). Then we dispose of the dried paint properly. I’ve got my lucky boots I wear on set, and I have a selection of paint clothes I wear as well. Although the paint can linger on my hands for a few days.
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Photographer: Jens Mortensen
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Photographer: Moises Saman
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Photographer: Trevor Traynor
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Photographer: Ethan Levitas
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Photographer: Mario Sorrenti
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Photographer: Robert Trachtenberg
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Photographer: Pieter Hugo
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Heidi: Did you know TimeOut was going to publish the caption about cover with the guy/girl not using photoshop?
Russ&Reyn: No. But we liked it.
How many takes did you do to get that cover image with the guy/girl?
Only a few. The guy is incredibly strong and was able to do it with both arms.
Was the set hard to build for the inside shot, and how long were they able to hold those poses, looks tough. Is that also one image, no photoshop?
The bars were already in place. It was just a matter of us building the set around them. Each performer was different. Some could hold the pose longer than others. The image was choreographed and then, yes we photoshopped to fit each of the spaces.
Did you know they were going to run a double issue?
All we know is that we shot for one cover but they ran two. We think it was to increase visibility of the magazine.