The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Emanuel Hahn

Emanuel Hahn (he/him) is a Los Angeles-based commercial and documentary photographer/director. As a Korean Third Culture Kid growing up in Singapore and Cambodia, he developed an interest in storytelling, especially on topics of identity, culture, diasporic experiences, and the question of what it means “to belong”. His deep observational and listening abilities have led him to tell the stories of the coffee farmers in Colombia, Chinese grocery store owners in the Mississippi Delta, the Korean Uzbeks in Brooklyn, and most recently the Koreatown community in Los Angeles through his photo book Koreatown Dreaming.

 

To see more of this project, click here

To purchase this beautiful book, click here

Instagram

 

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

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