Posts by: Suzanne Sease

The Art of the Personal Project: Ian Spanier

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Ian Spanier

MoTo

Personal projects have always been an important part of my career as a photographer. I’ve been lucky enough to have found some success from previous projects where they have been published in coffee table books, magazine articles and presented in print in various venues. The importance of personal work for me lies in the fact that unlike my commercial work the vision is completely my own. It’s also been a place for me to challenge myself. I love to have many options for lighting in my “bag of tricks,” and often it’s personal work that allows me the freedom to try new ideas out.

I’ve always been fascinated by motorcycles, although I’ve actually never rode one…yet. Sure, I’ve been on scooters and mopeds, but never have I experienced the thrill of the open road on one of these two-wheeled beasts. Personally, I tend to be drawn to the classic street bikes from Triumph, Indian and Honda, as well as many custom bikes. Being on the road a lot here in California I see bikes everywhere and thought it might be interesting to make photographs of the riders. I have been shooting the bikes as well, but it’s the riders that take center stage.

I photographed my first subject, Cortni Joyner, an actress I have shot several times here in Los Angeles on March 11, just before the Stay-At-Home orders were placed. I was crushed. The pictures were exactly what I wanted to make, and now I am handcuffed. Of course, I had no idea what was to come of the quarantine, but I began to prepare how I would work once things lifted…little did I know where we’d be still today. Thankfully, my regular workflow was already halfway there as far as being capable in the new normal needs of safe photo shoots. Using a CamRanger 2, I am able to send wireless jpgs to a tablet, computer or cell phone. An added feature allows me to also send near real-time images to a shared folder to anyone with Internet access and permission to that folder. Add all the face coverings, temperature checks, Lysol wipes and safe distance and much of the criteria are met. After about five weeks, I was of course antsy to work. Since LA was still frozen, I began to speak with some other subjects I’d been in touch with about doing a “safe” shoot. We made the necessary precautions and arranged a shoot date.

From a technical standpoint with this project I began with the premise of pushing a new style of lighting that would at a much higher aperture than I normally shoot as I tend to lean toward f7.1 as my go-to and wider apertures for lower depth of field in other cases. Here I am shooting at f20 or f22 in most cases. As an additional challenge, I am creating a studio look in my home. To do so, I am contending with distance limitations, a stairwell, lower ceilings in the “studio,” and furniture of course. I am using Westcott FJ400 Portable Strobes and modifiers, as well as V-Flat World V-Flats along with seamless paper and black velvet. I am shooting on a Canon 5DM4 with a variety of Canon Lenses, the Camranger 2, an iPad, Sekonic Meter, Hoodman Memory Cards and my Spider Holster Pro camera support.

The pandemic has certainly presented challenges as well, and I have been careful to make many precautions before agreeing to a photo shoot. That said, I am using that to also carefully curate the subjects I want to make portraits of, and not just choosing every motorcycle rider I see. Often the choice is made on the bike first, and then if I like the subject’s look, I approach them. Given the current climate, Instagram has been a great tool for this. My second subject was literally found from a random post that appeared on my feed, and I made two new friends as a result.

The most important aspect of MoTo has been to just create. I go nuts when I don’t have time to make images. Keeping my creative mind active is so critical because I am able to control that. So much, as we all are experiencing, is controlling us right now, so I feel it’s imperative to be able to choose a path now. Between shooting and retouching the images I have been able to continue to keep quite busy while the out of my control pieces start (hopefully) to fall back into place/become a new norm of how we will work.

Ikedi O. Onyemaobim photographed with his 2004 Triumph Thruxton 900 “Wolf”

I met Indian Motorcycle rider and Los Angeles Gym Owner Pieter Vodden for the first time during a commercial photo shoot last year. Then ended up at the same gym a few months later for another shoot and saw his bike parked in front of the location. This stuck in my mind so I approached him after I began the series.

 

Vodden’s Indian Motorcycle glove still life.

 

 

 

Actress Cortni Joyner (CW’s Into the Dark) was my first subject for MoTo. Thankfully, I had worked with Cortni a couple times so she was comfortable with me establishing the ideas I had scripted before beginning to make these portraits.

 

Muscian and Actress Nina Bergman stepped in like someone out of Mad Max. The Danish talent became a connection through her agent who represents many of the fitness athletes I photograph on commercial assignments.

Former BodyBuilder Stan McQuay was one of my first assignments for Muscle & Fitness Magazine in the early 2000s. Thanks to social media we have remained aware of one another. He posted about his new custom show bike and was very happy to ride it over to be a part of my project.

 

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Nigel Cox

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Nigel Cox

 

DRIFT by Nigel Cox

This ongoing series entitled DRIFT, named equally for wind blown snow and for my meandering outdoor search for subjects – not to mention a car steering technique- began in New York City in 2006.

The contrast between delicate individual snowflakes and the humbling and disabling power of a snowstorm has always fascinated me. I see vehicles becoming blanketed in snow representing that dichotomy whilst providing interesting forms, textures and color compositions.

Most of the images were shot close to my home in Brooklyn. As the cars are densely parked in that area I never have to venture more than a few blocks each time I shoot. Every vehicle provides a unique canvas but I’m often drawn to the ones with interesting colors, carefully studying every angle, seeking out elements that arrest my eye.

Snow dampens sound and for me, that tranquility, combined with bitter cold and scarcity of people, allows for a heightened level of concentration and patience. As a result, these images feel very personal and remind me of why I fell in love with photography at an early age.

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Art Streiber

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Art Streiber

According to the website farmworkerfamily.org, between 1/3 and 1/2 of all farmworkers in America reside in California, which means that there are roughly 500,000 – 800,000 farmworkers laboring in the state’s fields and orchards and approximately 1/3 of them are women.

Mily Treviño-Sauceda and Mónica Ramírez had both spent years organizing and representing farmworkers before they joined forces in 2012 as co-founders of the Alianza Nacional de Campesinas (The National Farmworkers Women’s Alliance).  It was the first national organization to represent the country’s 700,000 women farmworkers, uniting one of the most vulnerable groups in the American workforce.  

The intention of my group portrait was to have the dozen women farmworkers that agreed to be photographed stand in for their (approximate) 200,000 counterparts.  I wanted to create a sense of infinity with just a few subjects.

After the group portrait was finished my crew and I set up a simple portrait station on the back of the equipment van in order to honor each woman individually.

The California Department of Food and Agriculture reports that California produces 1/3 of the country’s vegetables and 2/3 of the country’s fruits and nuts, which means that these women are responsible for providing Americans with lettuce, apricots, grapes, apples, almonds, broccoli and avocados to name just seven of the 400 agricultural commodities produced in the state.

Keeping these women safe and healthy is the mission of the Alianze and while the organization is addressing numerous issues from domestic violence to workplace environmental concerns and sexual harassment, Treviño-Sauceda says, “There’s still a lot of work out there we need to do.”

If you can donate to this organization and help these amazing women, please do as they are the ones keeping fruit and vegetables in the markets: https://www.alianzanacionaldecampesinas.org

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Clemens Ascher

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:   Clemens Ascher

Clemens Ascher graduated from the Miami Ad School Europe in Hamburg, where he completed his qualifications as an art director and commercial photographer. His talent was already discovered while he was still studying and won him awards such as the ‘German Student of the year’ from the ADC.

Once he graduated he completed a long-term photography assistant job in Hamburg, before launching his freelance photographer career in 2008. Since then he has participated in several group and solo shows in Austria and works for international clients.

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Doug Ross

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this new revised thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Doug Ross

Artist Statement (Repeat post to honor Coney Island):

“Coney Island, a black and white retrospective” is my photographic journey of the past ten years shooting at Coney Island. My photographs, of Coney Island, Brooklyn NY, represent my vison of an ever-changing canvas of people and experiences by the water’s edge, on the boardwalk and the streets that surround. They bring the viewer into a place that is intimate, gritty and unretouched by society. The people are who they are and have no excuses or facades. The rich black and white tones strip away the screaming colors and even sounds of the seashore park and its patrons and leave the viewer to just be fixated by the subjects alone. I am pleased to present this compellation of some of my favorite images from the area I so love.

 

To order a copy of his book ($40), please contact him here

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSease.

The Art of the Personal Project: Adam Moran

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Adam Moran

When the world started to shut down due to Covid 19, all my future shoots were cancelled/postponed, and like many other parents suddenly my wife was working from home full time, and we had lost our childcare. Since I had no future work, I was there to take to over the childcare full-time for our daughter Mabel who was almost 2. She’s a kid with a lot of energy, she wants to be out running, chasing squirrels, climbing stairs, or just about anything active. Since I could no longer take her to the playground we only had a small grassy park in our neighborhood and our backyard as our little world to burn out her energy.
I take a million photos of her already to share with our families on the East Coast, but suddenly I found myself taking more and more since we were together 24/7.  I would shoot a photo either on my iPhone or mirrorless that I bring everywhere, and then I started to notice funny similarities between some of my sports and fitness work.  Sometimes it was the light and lines, sometimes the pose, and sometimes it was just a funny coincidence. I quickly realized that at times I couldn’t help it, I was trying to frame photos the same as I did at work, when she was just playing around. After a few weeks I started to dig into the drives, and match up the photos for fun, and then I started posting them on my instagram account. I’ve kept my instagram mostly work related for the last year, so this was suddenly making my daughter more public on there, but in a funny way. After a few shots I started getting so many messages from people to keep it coming, and they were looking forward to it each time. In the end I did 16 match ups with Mabel and athletes like Mike Trout, Tony Hawk, Megan Rapinoe and more. My time with Mabel is a break from all the craziness in the world right now, and I think these photos matchups were a simple way to keep things light, when it all seems so heavy.  At one point I was stressing that I didn’t have a “corona project” like everyone else was talking about, and then I realized I didn’t need to come up with one, my project was our life together, and I just getting to shoot that is the best project possible.

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Aldo Chacon

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Aldo Chacon

Correfocs

Correfocs are some of the most interesting and dangerous things I’ve photographed in my life. In the correfoc, a group of individuals will dress as devils and light up fireworks that are fixed on their devil’s pitchforks. Most of these dancing devils will move to the sound of a rhythmic drum group, as they set off their fireworks among crowds of spectators. As a spectator it is your choice to participate inside the ring of fire or watch from a distance. The spectators that participate dress to protect themselves against small burns and attempt to get as close as possible to the devils, running with the fire.

The first time I experienced this celebration, was while I was living in Barcelona. I saw it and thought it was the most insane thing, running around with blazing fireworks attached to your hands? Crazy! But truth is, it was also something very visual and exciting. Correfocs reminded me of an anarchist protest or a punk rock concert mosh pit. Observing all these people running around and pushing against each other in devil outfits with fire coming out of their hands was in a way a reflection of how they where not afraid of living on the edge.

Photographing this experience was a thrill. Everywhere I looked there where flares and little dots of light coming towards my camera. The energy was high, a frenzy. Everywhere I pointed a shadow or a highlight would create a beautiful abstract representation of what was happening. People where pushing against each other, running away from the fire, as of me I was trying to get as close as possible and I was trying to capture the atmosphere and the people, when it was time the fire came close and I just didn’t stop pressing the shutter.

 

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Bryan Coppede

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Bryan Coppede

Artist Statement:

I discovered the New York City and Los Angeles based non-profit Refoundry a few years ago, and immediately offered to volunteer my services at their New York location.  Their “mission is to provide formerly incarcerated people with the skills and opportunity to achieve financial independence and become leaders and job creators in our communities”.  Refoundry works to break the cycle of incarceration and give people a sense of self-worth and empowerment.  It is a cause I believe in, and it is a cause worth amplifying, especially now.  Their Hand in Hand™ Project, documented here, is ongoing within the greater scope of their mission.

Below is Refoundry’s description of the Hand in Hand™ Project, used with permission:

“68 million Americans have a criminal record; when arrested their hands are ‘printed’ for identification. In this way the state coopts identity and brands these individuals as criminals for life, disseminating that ‘record’ throughout our society in ways that create barriers to employment, housing, and essential services for millions of our fellow citizens. 

Refoundry’s Hand-in-Hand™ Project is designed to contrast this process, creating a new association with hand-printing – one that’s positive and creative, and that allows formerly incarcerated people to reclaim their identity and self-agency while embracing, and being embraced by, the larger community. 

The one criterion of the program is that people can’t paint their own hand, but must place their hand in the hand of someone else to paint, and in turn take another’s hand in theirs to paint. This process employs safe yet intimate touch within a common creative process, providing space for value, trust and empathy to flourish between individuals and communities. 

When displayed in large numbers, the visual impact of hundreds of hands simultaneously projects the uniqueness of each individual and the power and strength of community – our community. Refoundry’s Hand-in-Hand™ Project invites diverse people from many different neighborhoods, of many different colors, with many different stories – and draws them together, hand-in-hand, in a single expression of creativity, individuality and community.” 

 

To see more of this project, click here.

To learn more about Refoundry’s mission click here 

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Karan Kapoor

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Karan Kapoor

These images of fisherman bringing in the catch in the early morning at Mafia Island were really a result of waking up before sunrise in the morning and walking down the beach from the little hotel my family and I were staying in. I was not conscious of taking pictures. I was more absorbed with the beauty and witnessing what looked like a ‘biblical’ experience. Here time seem to have had stood still. I hardly raised my camera…not wanting to intrude and disturb what I saw and felt. The fishermen were oblivious to my presence. It was only on my return to London that I discovered what I captured. Editing was easy as there were not many images at all!

Mafia Island is a tiny island of the coast of Dar-es-Salaam, Tanzania. The word Mafia is actually a Swahili word and is not connected to ‘Mafia from Italy’.

Shot with a Canon 5DS and 24-70 2.8 lens.

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Judy Doherty

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Judy Doherty

Quick Pickles is a collaborative project between myself and Publisher Cheryl Koehler, of Edible East Bay Magazine, in the SF Bay Area in California. We wanted to create an eBook that would inspire folks to make beautiful quick pickles in their kitchen. I got to work with some tempting flavor pairings, and developed recipes for many concoctions including: carrot ginger, asparagus basil, cabbage hot pepper, and garam masala cucumber.

The quick pickles “quickly” came to life in my photo studio and when we published our eBook, I blogged it to my base. The line of the email was, Pickles in Cupcakes? Maybe Just A Few, it was a metaphorical line to suggest we were really creative and maybe you could use them in your cupcakes. This line came from my favorite children’s book of all times, Warthogs in the Kitchen. This book taught math and generated an interest in cooking by having sloppy fun with warthogs in a kitchen.

Well, I received thousands of hits on the blog and Instagram post and dozens of requests for a recipe for pickles in cupcakes came into my inbox!

So, I delved into my past as a pastry chef for Hyatt, remembering that I used to make a red velvet cake with beets instead of food color. So pickled beets were a natural for a red velvet cupcake and it was a whole lot of fun to make, too! It turns out that they pair well with rich butter, fluffy cake, and cream cheese frosting. And the color is a deep ruby chocolate.

 

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Jason Lindsay

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Jason Lindsay

Reflecting Forward

In science, we are often contemplating the future by evaluating the past. The portrait obscured by reflections represents the idea of looking forward and backward in time. The ambiguity and the unknown come to the surface, clouding our vision of the past and the future. These portraits explore the uncertain futures of the next generation that will be struck the hardest by the impacts of Climate Change. Just as these images suggest, we are intertwined with the natural world and will need to find our path. My 13-year-old son, Björn, inspired the “Reflecting Forward” project. During one of our many daily chats, he asked about Climate Change and what the world will look like in the future. I realized I had only murky visions of that future myself and could not give him a clear answer. As a father, I hated the fact that I could not provide much clarity for Björn and knew I needed to explore this idea with a photography project. “Reflecting Forward” was born.

To see more of this project, click here.

 

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

Fostering Creativity and Personal Health- MJ68 Productions

New Production Protocols

I received an email from agent, Cynthia Held with a brochure producer, Michael Horta created about how to create safer working environments on photoshoots during this pandemic.  I was thrilled to be informed that this brochure is to be shared with other photographers and crew.

Thank you so much Cynthia Held and Michael Horta and showing us that we are all in this together.

Click below to download your copy:

 MJ68_Fostering Creativity + Personal Health

 

Michael Horta

MJ68 Productions is a highly efficient, friendly, budget conscious, action forward production company with an enthusiasm for bringing talented people together to make great images happen.  Our goal is to make every production feel effortless for the photographers, agencies, and client.  On-set, MJ68 Productions is proud to provide talented, professional, and friendly crews; healthful, foodie inspired catering; optimal organization and a savvy to gracefully handle almost everything that comes down the pike.  MJ68 is at your service for estimating, budgets, insurance, excellent crew recommendations, casting, location scouting, art department, travel coordination, etc.—We love our work and are ever-expanding.

 Held & Associates

Since 1994 Held & Associates has represented advertising photographers and directors who have risen to the top of their profession thanks to their dedication and talent and our well-recognized track record of promoting successful relationships with advertising agencies. We pride ourselves on building lasting partnerships and striving to always create brilliant content that will surpasses client’s expectations.

 

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

The Art of the Personal Project: Dana Romanoff

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Dana Romanoff 

Logline:

NOAH, Rising from the Ashes in Flint

Short general synopsis: 

“Noah” tells the story of Noah Patton, a young man from Flint, Michigan, who was going down a one-way street backward. With a gun on his hip and always in search of the next lick, he had many enemies and was living on borrowed time. However, like his hometown, Noah is striving to rise from the ashes. With the support of his pastor, he is turning his life around and helping to positively shape the future of his community.

Artist Statement

Noah caught my eye the second he walked into the room. I was seated at a table with a group of men, mostly ex-felons, at the Joy Tabernacle Church in Flint, Michigan where I had been commissioned to create a video on resident engagement by Community Leads. I had been introduced to Pastor McCathern as a potential subject. When Pastor opened up the church doors to me he said: “if you want to know my story, you have to hear the stories of my council.” That’s when Noah entered, gently placing his sleeping toddler down on a couch and taking a seat across from me. He looked up at me and said “I got a story that’s meant for the movies.”

Directed by filmmaker Dana Romanoff and edited by Blue Chalk Media, “Noah” tells the story of Noah Patton, a young man from Flint, Michigan who was going down a one-way street backward. Backward past abandoned homes and empty schools and the sounds of bullets echoing louder than children’s laughter. With a gun on his hip and always in search of the next lick, he had many enemies and was living on borrowed time.

Flint is a city built on the American Dream. With the disappearance of industry, it became impoverished and neglected, and so did its residents. The water crisis is just one more tragedy piled upon a mound of oppression.

But Flint is a city of survivors. And like the phoenix, Noah and his city are rising from the ashes. Noah returned to his deep-rooted faith in God, and with the help of a pastor, he is turning his life around and helping to positively shape the future of his community.

Noah’s story provides an entry point into the discussion about the role of grassroot efforts in urban revitalization. Flint is a city looking to build itself up from within by empowering its communities from the ground up. Both Noah and his pastor are examples of such grassroots efforts. Today’s political climate, and the often harsh rhetoric about inner cities, make the discussion about resident engagement, and Noah’s story, ever more important.

To see more of this project, click here.

 

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Paul Elledge

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Paul Elledge

iPhone Once A Day                                              by Paul Elledge

This is a body of work that I started January 1, 2009 as a visual social media experiment on Facebook.  More than ten years later the project still continues.  It can now also be found on Instagram at iPhone once_a_day as well as it’s own website of the same name.

I am not a writer, thus I have chosen the camera as a tool to create a pictorial diary.  In some ways, this project brings me back to when I started my love for photography.  Rather than a commissioned assignment this project is personal expression. I’m making images just for me that are about how I feel as well as living in the now.  This project keeps my skills sharp to the process of making images, as I am always looking, feeling and creating them.  I photograph every day to capture an image that mirrors an emotion, an experience, or a feeling that illustrates my state of mind for that day.  I have always believed that making images is not about where my feet are, for me it is really about where my mind and heart are.

In order to bring some visual consistency, I have set up a few rules for this project.  I can only make images with the iPhone and they have to be shot vertical.  The images are always black and white, and I can only alter the images within the app network on the iPhone.  The final rule is that the daily post must be done as a mobile upload.

 

To see more of this project, click here.

 

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Justin Bettman

- - Personal Project

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Justin Bettman

When it became clear that the COVID 19 quarantine was going to keep us at home for a while, I was really bummed. This meant that the situation had become really serious, lives across the world were at risk, and all my commissioned jobs were cancelled. For a personal project, I wanted to create a series of quirky images that illustrated things that we could all be doing alone during this quarantine. This was the impetus for my latest personal project, Isolation Inspiration.

There are many ways in which people are providing assistance during this global pandemic. I am extremely appreciative of the many healthcare and food workers on the frontlines, the photojournalists who are capturing the stories that need to be told, and the individuals sewing masks from home. While I don’t have skills to contribute in these ways, I started Isolation Inspiration in hopes of bringing a small smile to people’s faces during a challenging time.

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Bruce Brown

- - Personal Project

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Bruce Brown

A Portrait of a Modern Bullfighter in America.

After a twenty-year break from bullfighting in Mexico, Agustín Gutiérrez returns to the ring. He talks about his passions and fears in this new version of bullfighting in the central valley of California. Depicted in this film is the Bloodless Variation of Azorean Portuguese Style Bullfighting a non-abusive, pro bull, non-kill interpretation of traditional bullfighting. No bulls during these festivals are injured or harmed.

Directors Statement

What interested me in this project was the glimpse into this variation of Azorean Portuguese Style Bullfighting, a bloodless interpretation of traditional bullfighting. In that the bull and the fighter are on equal ground. Having witnessed traditional bullfighting in other countries it was refreshing to see the bulls leave the ring in the same shape as they entered. That cannot be said for the matadors who often are introduced first hand to the power of these creatures. I hope you enjoy this character study of this controversial sport.

Bio

Bruce Temuchin Brown is a California based filmmaker/photographer/artist specializing in portraiture of the human condition. He attended the noted Art Center College of Design, in Pasadena. His clients include AT&T, United Airlines, NCR, Chevron Texaco, Money, Forbes, Chicago Tribune Sunday Magazine, USA Weekend Magazine, Chronicle Sunday Magazine and Hemispheres, to mention a few.

He lives in the Napa Valley with his beautiful wife and newborn son.

 

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

The Art of the Personal Project: Cade Martin

- - Personal Project

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Cade Martin

THE CREATIVE NOW

As a kid I spent many a dinner at a table surrounded by parents’ friends, an eclectic cast of characters — sculptors, writers, painters, and creatives. That thread of creative community has remained in our offices, our teams, and our collaborations. But that thread feels thinner at this moment.

So I’m asking, with the purpose of sharing, and of supporting and caring for this creative community in its current, uncertain reality. I asked what people are doing, how they are feeling, how they are sparking creativity. It feels important to share what we do when we can’t do all our doing.

Reaching out first to some of the 200-ish talented people in the Mid-Atlantic that I’ve had the good fortune to profile through the Capitol Communicator portrait series. Capitol Communicator serves as a resource to the region’s creative community and this is my version of a virtual dinner table of sorts. Grab a chair and come back often.

Kerry-Ann Hamilton, KAH Consulting Group

 “With more breaths, I am taking the time to see more in nature and it gives me hope that things will be normal again; but a new normal, filled with gratitude and a deep appreciation for friends, family and freedom.”

Learn more              

 

Matt Smith, SmithGifford

“Sudden change is inspiring for me, it’s energizing, and open for opportunities. I have found myself being far more passionate about ideas and how to help.”

Learn more                 

Michael Dumlao – Corporate Affairs Booz Allen

 “My life’s greatest creative moments tend to come from struggle and introspection so I’m using this time to rediscover my roots as an artist,…”

Learn more               

Sean Flanagan, Philadelphia Eagles

“…it’s keeping as much of my former routine as possible. That’s what works for me. This is a psychological battle as much as a physical one.”

Learn more                 

 

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Robin O’Neill

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Robin O’Neill

I am compelled to create images of people who are making the world a better place. During the global state of emergency and the mandate for self-isolation and distancing, I couldn’t help but turn my heart to the people still working to provide our essential services.

Trying to balance my own responsibility for social distance with my desire to give faces to the people still risking infection to care for the rest of us, I began to bring my camera along on my necessary outings. From a safe distance I took portraits of front-line workers at the grocery store, and at our community mail and waste depots. I have since extended the project to include other professionals who aren’t in my direct path, including medical workers and hospital janitorial staff. I plan to continue capturing these portraits of the unsung heroes of this unprecedented time.

Thank you to Arc’teryx for offering jackets as appreciation to some of the people I have captured and for sharing my images in their global campaign.

To see more of this project, click here.

Robin O’Neill is an outdoor lifestyle and action photographer based in Whistler, British Columbia. Her editorial and social documentary backgrounds have helped Robin develop a unique view into the wild landscapes and wilder personalities that surround her. By translating her passion for outdoor adventures into exciting visual stories and dramatic imagery, she has found success in working with many reputable outdoor brands, as well as winning the Whistler Deep Winter and Deep Summer Photo Showdowns, People’s Choice at WSSF 2019, and a finalist at Red Bull Illume 2019. Robin’s insatiable curiosity and addiction to mountain life have perfectly combined to ensure ongoing grand adventures and a growing portfolio of outstanding images captured in the wild outdoors.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.