Category "Personal Project"

The Art of the Personal Project: Paul Ernest

- - Personal Project

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Paul Ernest  (originally posted in 2018)

Claimed as the 21st century Norman Rockwell, Paul Ernest’s photographic work has been received as a soulful interpretation of timelessness in today’s evolving informational and technological culture. Using the camera and his appreciation for American Realism, Paul has developed a style he calls Mise En Scene Realism. His focus on composition and lighting are primarily drawn from painters such as Wyeth, Rockwell and Johnson but with an influence from his former career as a Creative Director and designer. “We are a people of storytelling, parables and fables. Our perception of the aesthetics in life are absorbed and interpreted in a way that is no different than any style or technique that have ever been in existence. We learn from stories and the adoption of them into our way of thinking and living.”

Since 2011 Paul’s work has earned him awards from WPPI and PPA, including Diamond Photographer of the Year in 2012 and 2015 and earning his Craftsman and Master Degree. Paul’s work has been accepted in galleries such as Craighead Green and premiere arts festival throughout the state of Texas. His commissioned work hangs in restaurants, hotels and private collections including the lobby of his alma mater where he received his Bachelor of Fine Arts. He also has developed his style into a line of home interior products sold nationally.

Paul’s passion for education and continued growth in himself and others is evident in his teaching and mentoring which he does in his home state as well as across the U.S. He lives just outside of Dallas, Texas with his wife and children.

 

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Michael Grecco

- - Personal Project

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Michael Grecco

Days of Punk, The Punk and Post Punk Era

I moved to college in the mid-seventies in Boston a music elitist. My New York upbringings had created a music snob, into only the coolest rock, Bowie, The Velvets, the Ramones, Pattie Smith and a hatred for hair bands including Alice Cooper, Sabbath and Motley Crue. Especially after enjoying Jazz in NY also, the music being produced by the mega music industry went nowhere and said nothing interesting.

I knew it all, all there was to know about music, except what was coming around the corner. One day I took the short walked into the Rat in Kenmore Square, a few blocks from my dorms and my life changed. That night was a battle of the bands, but they were all punk bands. They played a musical extension of sounds and riffs I was familiar with from early groundbreaker, but yet it was new. I also realized that I would have never heard this bands on record or on the radio of the day. This was the outlet for them, the dark, smelly seedy underground. That night changed my life and led me on over a 5-year journey of sex, drugs and punk.

I was the club kid out every night, shooting bands, partying with the bands and then getting my shit together to as a photographer for the Associated Press during the day. I would disco nap at to 6 PM after work, have dinner at 10 PM and then back out to the clubs by midnight: Spit, The Underground, The Rat, The Channel, and The Paradise Club and Cantones. The music was starting to erupt and with it the first college punk radio show, The Late Risers Club. This was my life until a staff job at the Boston Herald made the drinking and drug and staying out all night impossible.

This is the recorded history of that world and that time, the story must be told.

Lead guitarist Poison Ivy (born Kristy Marlana Wallace) of the punk rock band “The Cramps” is backstage before performing at a theater in 1980 in Boston, Massachusetts.

Musician Billy Idol poses for a portrait back stage one month after his debut solo album release of ‘Billy Idol’ in Boston, Massachusetts on August 01, 1982.

Punk rock band lead singer Wendy O Williams and the Plasmatics performing on stage on November 13, 1980 in Boston, Massachusetts.

Members of the punk rock group “Bow Wow Wow” performing on stage at the Paradise Theater in Boston. Members include Annabella Lu Win (lead singer), David Barbarossa (Dave Barbe) on drums, Matthew Ashman (guitar), Lee Gorman on bass in Septemeber 1981 in Boston, Massachusetts.

Lead singer Lux Interior (born Erick Lee Purkhiser) of the punk rock band “The Cramps” performing on stage at a theater in 1980 in Boston, Massachusetts.

Members of the pop music group “Human League”, Susan Sulley, performing on stage at a theater in 1980 in Boston, Massachusetts.

To see more of this project, click here.

To purchase the book, click here

 

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Hugh Kretschmer

- - Personal Project

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Hugh Kretschmer 

PLASTIC “WAVES”

PURPOSE: Plastic “Waves” is a chapter of my ongoing project, Mirage— a visual commentary on the effects of human behavior on our natural water systems. Each image is constructed using recycled, repurposed or rejected plastic; a foreign element that is now, unfortunately, ever-present in our natural water systems. For these examples, I used recycled garbage bags.

My intent is to engage my audience with the alluring beauty of these images. But upon closer examination a deeper awareness of their intended message is revealed; a future where bodies of water, in their purest form, may only be seen through artificial means— something like a museum diorama.

These examples are the early stages of a long and in-depth exploration of sculpture and photography. My philanthropic purpose is to benefit a nonprofit organization devoted to water conservation through proceeds generated from gallery print and book sales.

INSPIRATION: Initially influenced by Robert Longo’s Epic Wave charcoal drawings they now include Wave Photographer @raycollins artwork as inspiration.

PROCESS: The construction of the water effect starts with a recycled chipboard base that is formed and teased into the basic shape. Then repurposed pillow batting is spray mounted to the surface and shaped in a way to give the wave visual volume. An aluminum screen is the next layer and is tacked down in certain points using hot glue. On top of that, a recycled paper pulp with a binder is applied and shaped in three layers, consecutively adding more detail with each application. Lastly, two varieties of recycled garbage bags were applied to the sculpture— a black lawn bag style for the waves’ base and a thin translucent type was used to represent sea foam. The blur effect of the sea foam was captured using a combination of a long exposure, enhanced by a variable neutral density filter, and a compact electric leaf blower.

 

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Marsha Bernstein

- - Personal Project

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Marsha Bernstein

I’ve always been drawn to collage work, particularly the decollage work of French artist Jaques Villegle, which is more about subtracting and revealing layers than assembling and building. A lot of my professional work is fashion reportage – backstage at New York Fashion Week – so I thought those images would be fun to work with and explore my own collage style. I thought I would try something in the style of Villegle but I ended up just playing around and doing my own thing. I haven’t been in a darkroom in years so this is a way for me to create art in a tactile way. It’s nice to work away from a screen.

The process is very relaxing and meditative and a way for me to stay creative during periods where I’m not busy (but I’ve also enjoyed making collages during very hectic times as a way to unwind). I don’t have a fixed method – instead, I’ll just pick one of my own fashion images that I think will be interesting to work with – it might be because of a shape, a face, the colors – what draws me to it is always different. I’ll then often print the image in different sizes to play with scale. Other times I’ll use a singular image and bring in some sort of paper ephemera (a vintage French color palette poster, for example) or another image of mine as a backdrop (a London street, the Seine river, and the interior of the Louvre are a few examples). Then I’ll usually rip the images and paper and play with placement.

I’ve also experimented with digital collages in a similar way – using my own fashion images and playing with repetition and scale against a backdrop of something else I’ve photographed. More recently, because I wasn’t able to shoot this past fashion season due to the pandemic, I used images of mine from previous seasons and placed them in vintage scenes with televisions as a play on how we’d all be watching the digital shows. I also incorporated screenshots of a digital fashion show from Paris Fashion Week against a photo of mine of Paris rooftops. I missed shooting shows and this was a way for me to be in that world again.

I don’t spend too much time on an individual collage, as I like it to feel organic. (I think if I spent too much time planning one out it wouldn’t have the rawness that some of them have). Cross training, so to speak, is an important part of being an artist, in my opinion. Actually, I think it’s important for any profession or hobby – it’s good to work different parts of the brain in order to strengthen and grow the ones you use all the time. Or maybe I’m thinking too much about it – I just enjoy it.

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Kremer Johnson

- - Personal Project

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Kremer Johnson

I grew up in a house where my parents worked with their hands.  Both had regular jobs, but each had a side business that they ran out of the house to make extra money.  My mom had an upholstery shop in our basement, and my dad did engine & auto bodywork in the garage.  There was constantly something being crafted around me.

Despite my parents’ best efforts to involve me, that genetic code apparently skips a generation & the skill sets never stuck.  I did, however, learn a healthy respect for the skills & maintain a proper appreciation for a well-crafted final product.  As the project was forming, it was great to have a business partner who was on board to grow this project with more creators.

Living in a largely digital world where most things are mass-produced and available for delivery to your door at a moment’s notice that level of care & craftsmanship seems to be in short older today.  This series celebrates the makers & creators who still take the time & care to create custom goods by hand.

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Jeff Lipsky

- - Personal Project

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own. I am drawn to personal projects that have an interesting vision or that show something I have never seen before. In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find. Please DO NOT send me your work. I do not take submissions.

 

Today’s featured artist: Jeff Lipsky

It was back in 2015 when I was on assignment for Outside Magazine where I first got the inspiration to do the father son personal project. The job was to shoot the best-selling author Norman Ollestad and his son Noah surfing together. Ollelstad’s book “Crazy for the Storm” was a true survival/ plane crash story with a father son relationship. I wanted to capture Norman’s passion of surfing and how he passed it to his son like his father had done to him. Not an easy thing to get. What is that exact moment that conveys that feeling? I was hooked.

After that assignment I decided to keep going. While shooting the late Chris Cornell’s album “Higher Truth” I had the chance capture him sharing his passion for playing the guitar with his son. It’s continued with an artist, golfer, writer, skater, and wine maker. Being a dad myself of two boys and girl I continually look for those inspirations. A dad and daughter project is currently in the works!

 

 

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s. After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty. Follow her at @SuzanneSease. Instagram
Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it. And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Taylor Roades

- - Personal Project

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Taylor Roades

A RIBBON OF HIGHWAY – BETWEEN THE EAST OF MY YOUTH AND THE WEST OF MY FUTURE.

A Ribbon of Highway is a personal retrospective and an exploration of a Canadian Identity. It is a collection of photographs taken between 2010-2020, a decade of my twenties where I moved and travelled extensively across the country, coming of age and questioning both my own value systems, and what being Canadian might mean. The photographs depict my individual lived experience, visiting landscapes that vary drastically in geography, history, and socio-economic status, and overarching lifestyle.

I have photographs from every province and territory except Newfoundland, and Nunavut. I took three trips across the country on a greyhound bus over this time, and travelled on photography assignments to some extremely remote locations.  These photos were not taken with a final goal in mind; the scenes were interesting to me in the moment. I’ve always been deeply intrigued by the cultural threads that hold Canada together, and though I won’t claim this collection to be all encompassing of “Canadianness”, it is a reflection of the place and the person I was when I took the images.

The title of this project: “A Ribbon of Highway” is a lyric in a song called This Land is Your Land. It is an American tune and was re-made by a Canadian band called the Travellers (originally named The Beavers). Naming this project a Ribbon on Highway was an analogy for how we are constantly defining ourselves as separate from the Americans, and yet are still so influenced, for better or worse, by our southern neighbour.

Canada, as we know it emerged from a series of outposts, and in a sense still operates this way. Kindness here is born out of a season of scarcity. We are a vast landmass with incredible differences and we cling to the similarities because they give us something to identify with.

Our patriotism is steeped in contradictions. We are friendly even if we don’t want to be friends. We are hardy people, but complain about scraping the caked ice from our windshields at the break of dawn. We have feelings of moral superiority to the USA with a robust public healthcare system, and yet we have a history of deeply unequal and morally horrific policies when it comes to the treatment of Indigenous peoples on this land.

Some of these photos are stereotypical, and some are personal. It is my hope if you have spent time in this country you will see your own experience, even if only partially. This thread of shared experience is what holds us together, in the space between the places that make up most of this Country.

To see more of this project, click here.

Behind the scenes video

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Joe Pugliese

- - Personal Project

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Joe Pugliese

This year has been a most unusual time for photographers that are accustomed to a busy calendar, frequently engaging with human subjects. For me, the slowdown of work gave me space to really witness my three and a half year-old son Lucian. 

Being at home for much longer periods of time made me see his energy in a new way, and I wanted to document it somehow. I thought of the old corny comic strip Family Circus where the sporadic path of a child’s day was marked with a dotted line to show how much ground he covered. I was really impressed by the way Lucian occupies his spaces, playing in every inch of wherever he finds himself. It made me reflect on how sedentary we become as adults unless we’re intentionally partaking in an activity.

I also enjoyed infusing a motion element into this still work, extrapolating a narrative from the confines of a single frame. Often in my commercial work, compositing and stitching together frames is a way to solve problems and fix mistakes. It was nice to approach this series with the purpose of making an entire group portrait of one singular energy, claiming his surroundings and seizing each day.

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Billy Delfs

- - Personal Project

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Billy Delfs

Detroit to Niagara is a series I thought about a lot while growing up in Cleveland (my home town). Having spent the majority of my life along the southern coast of Lake Erie, the smallest of the Great Lakes, I always wondered what was on the other side.  In what could take 4 hours to drive from coast to coast, these 5 days traversing in and out of the coastline became a valuable study of light and making better pictures in unknown territory.

I gravitated toward the landscape and noticed how the farm fields have all been converted to wind farms, the coastlines are pristine, the camp sites in the national parks system I stayed were some of the best taken care of I have been, and the people pleasantly soft spoken.

 

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Bob Stevens

- - Personal Project

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Bob Stevens

An agent pal of mine in NY, reached out to me because he had gotten wind of a potential bid opportunity. He knows that I like to shoot personal, self-assigned images as often as possible, so thought I would be interested. He had few details except for these: the women needed to be 55+ years of age and photographed without any makeup. No clue who the client was, etc. And he wanted samples within a couple of days.

I called my bestie in the talent agency biz, shared the specs and had an online gallery to view within an hour. She offered me her casting room to shoot in. A 10’x10’ ‘studio’ was not my ideal scenario, but hey, that ‘Necessity/Invention” saying comes to mind.

Driven by logistics and a desire to make the environment as intimate as possible, I used one light, a fill card and a small canvas backdrop. My objective was to keep things simple and compact.

I invited these women to pose for me with no makeup, clothed in a way that would allow me to show them ‘discreetly naked’,  to increase the vulnerability of the setting.

The draped, gray fabric was inspired by classic sculpture and paintings (’Venus de Milo’ for example), and the lighting is “3/4”, the way Rembrandt he lit all his painted portraits.

I created a private atmosphere, where I spoke to each of them personally and individually before each session. As we spoke, each subject opened up in a remarkable way. I realized that their stories needed to be told with motion, because there was so much to relate.

I wrote a list of questions, and my plan was to ask each individual the same ones so that in editorial I could create the voice of ‘Woman’.

What I discovered is just how much these ladies had to say, and how powerfully they related to the questions I asked them: ‘Who are You?”, “How is your life different now than it was 20-30 years ago?”, “What does it feel like to be you at this age?” among others.

I was after personal moments, simply executed. I chose a very simple lighting setup and a black backdrop to feature my subjects. This was not ‘about me’, and I wanted to make sure that technique and production value took a backseat to the message.

An unexpected part of my experience is how vulnerable and candid they were, at times, breaking down. Not so much because of what they were saying, but my perception was that they were being ‘listened’ to and were moved that someone cared enough to ask.

The working title of the still shoot was ‘Authenticity’. After I shot the film, I changed it to “I Am” in honor of their statements.

I am grateful for the Vulnerability, Courage and Power of these amazing women.

Video Link

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Cade Martin

- - Personal Project

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Cade Martin

I have a strong affinity for Mexico, the place and its people. I have been traveling there since I was a little boy and have returned numerous times for personal and professional photography projects.

I visited the state of Tamaulipas for a couple of days and created this series of photographs on farm workers.

On a ranch just north of Tampico, I came across migrant workers harvesting onions from the fields. This part of Mexico, just south of the Tropic of Cancer and a few miles from the Gulf of Mexico, is ideal for growing onions, hot chili peppers, and soybeans – its rich, tropical soil yielding multiple crops year-round. The onion harvest is a hectic operation that involves picking the onions by hand. Once cut, they are left in the fields to dry before being trucked to a shed to be sorted, packed and ultimately shipped to market. To work the fields, a nomadic group of Tamalín Indians makes a yearly journey here from the tropical state of Veracruz.  Their weather beaten faces tell a story of many years of hard work in the fields under the relentless sun. I made these images in a shed, close to the fields where they worked – in the middle of their day.

As a “commercial” photographer, I really enjoy what I do. Of course, there are great characters and stories to capture in any shoot – but I continue to be intrigued by real, every-day people.  I try to seek them out whenever possible, like I did the migrant workers on this ranch.  You can’t make any of it up – the authenticity of their faces, their culture, how they carry themselves or what they face in the reality of their day is endlessly rewarding for me.

 

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Jasmin Shah

- - Personal Project

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Jasmin Shah

After being based in Chicago for decades, in July of 2019, I branched out and started a nomadic photography journey to pursue more of the work I love around the world. I had nine wonderful months of travel and adventures before COVID-19 changed my plans.

My story is a story of pivoting—of having a plan that needed to change but sticking with what is true to me. Like so many people, I have not had the 2020 I originally envisioned, but I am grateful to be healthy, to have generous friends, and to have found new faces to photograph and ways to experience the world around me, wherever that may be.

I have started a new project, and I’m calling it “Reintroducing America.” From 1935 to 1944, the US government-sponsored FSA program hired photographers and writers to “introduce America to Americans.” Those photos today work as a time capsule of that era. While I do not fancy myself as being at the level of those famed photographers, I do feel the need to document this strange time. We are a divided nation—there is no arguing that—but as I’ve been traveling around and talking to people, I find that even when we have completely different points of view, we are still living through this crazy time together, and we always find some way to relate. I am one person and currently sponsored by no organization, but I am going to do my best to document the many faces and stories that make up our country, one person at a time.

I love people. I love people’s stories—their joy, their pain, and the many realities of life. I will always keep telling these stories.

Eileen’s Caption: 

When planning my drive out west, I looked at campgrounds and Airbnbs between Kansas and California, and I stumbled upon an Airbnb in a ghost town in Cisco, Utah. It had no running water and looked rustic, but obviously, I was intrigued because I wanted to photograph it. I booked myself a spot.

When I arrived, I met Eileen, the visual artist who is the sole year-round resident of Cisco, Utah. She acquired the land in 2015 and has been rebuilding since then. Fun fact: Eileen is from the Milwaukee area and was living in Chicago just blocks from me before she left. But we never met until I arrived at her ghost town.

I admire Eileen, as this does not look like an easy place to live. While I was here it was over 100 degrees, and in the winter it gets really cold. But she is working to create an artist-in-residence program so others can come and be inspired. I spent some time photographing and talking with her. Then I went to my cabin and watched the sun set and the stars come out. I realized if I had another few days, I’d want to stay here too. (I included some photos of my “hotel” and the land because I really did love it.)

The best place to find the project is: here

(It is on my website but I’m in the process of changing my site so I don’t want to link to it if the direct link changes)

To support the project:

https://www.patreon.com/jasminshah

 

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Stephen Wilkes

- - Personal Project

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Stephen Wilkes

Stephen is known for his masterful ability to capture the heart of what makes this country what has always has been, a mixing bowl.

While things may feel unsettled right now, it’s a moment to reflect, to look at images that reinforce what makes us all uniquely American.

We are a strong nation, we are a resilient nation and we are a caring nation.

  

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: John Henley

- - Personal Project

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  John Henley

The portraits of artists appearing in this book “A R T I S T S” were taken in and around the city of Richmond, Virginia, over a six-year period. As a photographer who previously spent many solitary days making landscape images, I found the time spent with these artists to be nothing less than thrilling. Every portrait was collaboration with its subject, and to share ideas with each of them was revelatory.
I left Richmond to study photography as an undergraduate student at the San Francisco Art Institute. When I returned to my hometown in the mid- 1970s, I had been on the West Coast for five years and knew nothing about the art scene in Richmond. Soon thereafter, as I began my MFA studies in the VCUarts Department of Photography and Film, it was my good fortune to meet artists who were doing great work, and who were interested in what I was doing. Willie Anne Wright, George Nan, David White, Rob Carter, and Myron Helfgott were among those influential teachers who made me feel
at home and helped me to gain an artistic footing here. When I decided to undertake this series of artist portraits in early 2014, I started with these individuals.
Since then, I have met and photographed many artists, initially at the suggestion of the people with whom I began the project. To say that this experience has been a source of discovery and inspiration is an understatement. Simply put, interacting with all of these creative people has been amazing. It has instilled in me a much greater understanding of how important our arts community is, personally and collectively.
During my long career as a commercial photographer, I worked with many talented designers and art directors, including Rob Carter. He and I traveled around the country making aerial photographs for a Best Products Annual Report in 1983. Rob designed this book with stunning results, and I am immensely grateful once again to have had the opportunity to work with him.

The first public presentation of these portraits took place at the Richmond headquarters of Capital One (June 2–November 21 2017), thanks to an invitation from Art Program Manager Francis Thompson. On behalf of 1708 Gallery, board member Amie Oliver subsequently organized a two-part satellite exhibition at Linden Row Inn (January 15–July 8, 2018). More recently, VMFA educator Jeffrey Allison assembled a show of the portraits for the Richmond International Airport (February 3–August 2, 2020.) Selected portraits were also shown at Richmond’s Glave Kocen Gallery (June 15–July 18, 2020).
First and foremost, I hope this book will extend the recognition due these artists who have been so instrumental in the growth and visibility of Richmond’s cultural landscape.

To see more of this project, click here.

To purchase “A R T I S T S” click here

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Jonathan May

- - Personal Project

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist: Jonathan May

I was working on a photography series in Queenstown Tasmania called After they left which is an ongoing essay on mining towns that are a shadow of their former self when I first met Ingo Hansen. He was renovating an old hospital and turning it into a hotel, and we ended up having dinner together. I was captivated by his ability to recollect the past, and the town of Andamooka, where Rear View Mirror is set, sounded like it was from another planet. I knew right then and there that I had something special, and he told me to come visit him as the town was having a reunion.

I work as a commercial photographer and director with large crews; I enjoy the structured nature of this process and the collaboration with specialists. However, I do love the freedom that comes with breaking the rules and getting on the road with just my camera. There is something special in working organically, and it is the excitement of the unknown that I am drawn to. There is an unmatched opportunity to really dive deep into creativity without the usual constraints of life getting in the way.

I think coming through the ranks as a photographer has made me much more resourceful than most directors, being able to compose and shoot my own frames. I love taking the time getting to know my subjects, really embedding myself in their world… similar to Louis Theroux, but then applying an Emmanuel Lubezkin lens to it. While I do look at some of the frames and think they could be technically improved if I had a bigger crew with me, there is also a power that comes from being nimble and as I try to push the emotion that occurs from trust formed over time.

I originally went to Andamooka for 10 days with Ingo, as he gave me the guided tour I was shooting B-roll. I then interviewed him properly and with delving into his past, I realized how engaging he is and how vibrant life was in the days gone by. His ability to transport the listener into another world with his storytelling was impressive. Most of the past residents lived there in the hope of finding opal, and as I was sitting there in a small miners shack in the middle of an interview it dawned on me, Ingo was my rare stone… he was the rough and raw that you would expect to find in the desert, yet unique, articulate and polished.

Ingo had so many riveting stories from his days there, it was hard to limit it to just a few, but I wanted to really give the audience a taste of his world and leave them wanting more. Once I was in the edit, with the assembly and the narrative sorted, I organized another trip back with Ingo and this time I could be more specific with a shot list to match the chosen frames. Just prior to shooting Ingo had a serious health turn and his license was temporarily taken away, so I flew to Adelaide and drove to Andamooka with him. During the 6-hour drive I realized the film’s narrative had evolved, he was doing some serious soul searching and I needed to interview him again and flesh it out.

Music is such a big inspiration in my daily life, and with the film I needed the score to amplify the hauntingly beautiful landscapes and build emotion around Ingo’s world. While Ingo is the protagonist, I felt like Andamooka and the land was as much of a hero as Ingo was. I remember seeing the sunrise one morning over the countless piles of dirt in what can only be described as an alienesque landscape and was listening to Tillman Robinson’s Deer Heart album, it was giving me goose bumps as I imagined my visuals together with his score. He is a composer I’ve wanted to work with and I really felt that his artistic sensitivity would accurately complement the desolate and evocative landscapes captured in Rear View Mirror.

While I was only in Andamooka for a short time, I made some really good friends there and I can see why the desert has a strong pull. Countless others like Ingo keep returning to clear their minds and ponder on life. There is something about seeing an endless horizon that is good for the soul….void of skyscrapers, traffic lights and less disengaged people rushing around for unachievable happiness.

 

https://vimeo.com/431343377

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Patrick Fraser

- - Personal Project

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Patrick Fraser

This series originated on a road trip from LA to Indiana four years ago.  I knew I wanted to make a series while on the road but wanted a focus.

I have always been most interested in sub cultures.  As an expat from the UK moving to America getting on for twenty years now the vast landscape you have here and the open road depicted in road movies has always fascinated me and fueled my photographic desire.

The idea for Women Truckers came to me before I departed Los Angeles when I was planning the series.  I ran it by a few trusted friends in the film business and started to write a series of searching question to ask the women drivers who I met at the truck stops.  I came up with a list of about 12 written out in a sketchbook knowing that this would come in handy when I was faced with someone I had never met and would provide context for the story.

I use my iPhone to record the interview and then later transcribe them into a text document.

My first stop was late in the evening driving out of LA near Ontario on the 10 freeway.  There was no light left for a daytime exterior shot so I headed inside the truck stop and had a good scout around.  I got some strange looks from people inside as I had a vintage film Hasselblad 501 cm hanging from my shoulder and a light meter, which people always wonder what it is.

On my first look around a real working truck stop I realized this was predominantly a man’s world.  There were a plenty of men eating junk food, looking for spare parts in the store, paying for gas.  Then I discovered that they had areas for showers and washing clothes.  I was discovering a new underworld where drivers, men and women lived out of a suitcase on the road for around three months at a time.

Women truckers would be hard to find, they are about one in twenty on the road.  I found a games room with pool table and sitting there in this sparse dimly lit room was a women and her young daughter who was wearing headphones.  I opened the door, walked in and plucked up the courage to ask her if she would mind having a portrait taken and if I could ask some questions about being on the road and a female. Regina Campbell and her daughter Shelby who rode with her in the summer turned out to be open to my request.  She too was heading to Indiana so we discussed route to break the ice.  It turns out she has been driving for seven years, has a BA degree in sociology and formally worked in law.  One point she made stuck with me in her words “ its one of the fairest places for a female to earn what a male earns”.  She then told me many of the solo women drivers stay in their cabs and don’t come out at night for safety.

Regina was my first subject and over a period of about four years I now have about twenty-five subjects and interviews.  Once I did a commercial shoot in New York and booked a one-way flight knowing that I wanted to drive back to Indy in a rental so I could make more truck stop portraits.  Always with these kinds of portrait series you get quite a bit of rejection and resistance.  There were times I spotted a woman who had an interesting face or who seemed like a character but they were not interested to be photographed or talk.  That’s when you can feel deflated and start doubting your idea.  Then you find someone who is really open to it and can’t stop talking and you are back on track.

My first edit seemed a bit monotonous just having portraits only.  Luckily in most of the stops on the road I captured landscapes and details to tell the story of the road and show the truck stop as an American subculture.  I would drive through the entrance which said trucks only and park my car right next to these huge 18 wheelers and start shooting details of trucks and anything which I thought was worthy of setting the scene to go alongside my portraits.  Many of these wider shots included men, which I think is ok because they are a big part of this landscape.

Four years later and I’m still editing and pairing landscapes with portraits and wondering if this or that is a good shot.  Finally it was time to show this work and get some feedback from editors like Suzanne.

I continue to shoot this subject and I have a whole binder full of color negatives of women truckers and the truck stops landscapes.  One day this could turn into a larger body and printed book.  I plan to make a zine next of some of my favorites to try it out in print and start paring up more and seeing if I have something worthy of ink.  If anything it has been an exercise in documenting culture for me and I have learnt a great deal from talking with these strong women about life on the road.

 

To see more of this project, click here

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Ian Spanier

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Ian Spanier

MoTo

Personal projects have always been an important part of my career as a photographer. I’ve been lucky enough to have found some success from previous projects where they have been published in coffee table books, magazine articles and presented in print in various venues. The importance of personal work for me lies in the fact that unlike my commercial work the vision is completely my own. It’s also been a place for me to challenge myself. I love to have many options for lighting in my “bag of tricks,” and often it’s personal work that allows me the freedom to try new ideas out.

I’ve always been fascinated by motorcycles, although I’ve actually never rode one…yet. Sure, I’ve been on scooters and mopeds, but never have I experienced the thrill of the open road on one of these two-wheeled beasts. Personally, I tend to be drawn to the classic street bikes from Triumph, Indian and Honda, as well as many custom bikes. Being on the road a lot here in California I see bikes everywhere and thought it might be interesting to make photographs of the riders. I have been shooting the bikes as well, but it’s the riders that take center stage.

I photographed my first subject, Cortni Joyner, an actress I have shot several times here in Los Angeles on March 11, just before the Stay-At-Home orders were placed. I was crushed. The pictures were exactly what I wanted to make, and now I am handcuffed. Of course, I had no idea what was to come of the quarantine, but I began to prepare how I would work once things lifted…little did I know where we’d be still today. Thankfully, my regular workflow was already halfway there as far as being capable in the new normal needs of safe photo shoots. Using a CamRanger 2, I am able to send wireless jpgs to a tablet, computer or cell phone. An added feature allows me to also send near real-time images to a shared folder to anyone with Internet access and permission to that folder. Add all the face coverings, temperature checks, Lysol wipes and safe distance and much of the criteria are met. After about five weeks, I was of course antsy to work. Since LA was still frozen, I began to speak with some other subjects I’d been in touch with about doing a “safe” shoot. We made the necessary precautions and arranged a shoot date.

From a technical standpoint with this project I began with the premise of pushing a new style of lighting that would at a much higher aperture than I normally shoot as I tend to lean toward f7.1 as my go-to and wider apertures for lower depth of field in other cases. Here I am shooting at f20 or f22 in most cases. As an additional challenge, I am creating a studio look in my home. To do so, I am contending with distance limitations, a stairwell, lower ceilings in the “studio,” and furniture of course. I am using Westcott FJ400 Portable Strobes and modifiers, as well as V-Flat World V-Flats along with seamless paper and black velvet. I am shooting on a Canon 5DM4 with a variety of Canon Lenses, the Camranger 2, an iPad, Sekonic Meter, Hoodman Memory Cards and my Spider Holster Pro camera support.

The pandemic has certainly presented challenges as well, and I have been careful to make many precautions before agreeing to a photo shoot. That said, I am using that to also carefully curate the subjects I want to make portraits of, and not just choosing every motorcycle rider I see. Often the choice is made on the bike first, and then if I like the subject’s look, I approach them. Given the current climate, Instagram has been a great tool for this. My second subject was literally found from a random post that appeared on my feed, and I made two new friends as a result.

The most important aspect of MoTo has been to just create. I go nuts when I don’t have time to make images. Keeping my creative mind active is so critical because I am able to control that. So much, as we all are experiencing, is controlling us right now, so I feel it’s imperative to be able to choose a path now. Between shooting and retouching the images I have been able to continue to keep quite busy while the out of my control pieces start (hopefully) to fall back into place/become a new norm of how we will work.

Ikedi O. Onyemaobim photographed with his 2004 Triumph Thruxton 900 “Wolf”

I met Indian Motorcycle rider and Los Angeles Gym Owner Pieter Vodden for the first time during a commercial photo shoot last year. Then ended up at the same gym a few months later for another shoot and saw his bike parked in front of the location. This stuck in my mind so I approached him after I began the series.

 

Vodden’s Indian Motorcycle glove still life.

 

 

 

Actress Cortni Joyner (CW’s Into the Dark) was my first subject for MoTo. Thankfully, I had worked with Cortni a couple times so she was comfortable with me establishing the ideas I had scripted before beginning to make these portraits.

 

Muscian and Actress Nina Bergman stepped in like someone out of Mad Max. The Danish talent became a connection through her agent who represents many of the fitness athletes I photograph on commercial assignments.

Former BodyBuilder Stan McQuay was one of my first assignments for Muscle & Fitness Magazine in the early 2000s. Thanks to social media we have remained aware of one another. He posted about his new custom show bike and was very happy to ride it over to be a part of my project.

 

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.

 

The Art of the Personal Project: Nigel Cox

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Nigel Cox

 

DRIFT by Nigel Cox

This ongoing series entitled DRIFT, named equally for wind blown snow and for my meandering outdoor search for subjects – not to mention a car steering technique- began in New York City in 2006.

The contrast between delicate individual snowflakes and the humbling and disabling power of a snowstorm has always fascinated me. I see vehicles becoming blanketed in snow representing that dichotomy whilst providing interesting forms, textures and color compositions.

Most of the images were shot close to my home in Brooklyn. As the cars are densely parked in that area I never have to venture more than a few blocks each time I shoot. Every vehicle provides a unique canvas but I’m often drawn to the ones with interesting colors, carefully studying every angle, seeking out elements that arrest my eye.

Snow dampens sound and for me, that tranquility, combined with bitter cold and scarcity of people, allows for a heightened level of concentration and patience. As a result, these images feel very personal and remind me of why I fell in love with photography at an early age.

To see more of this project, click here.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999. She has a new Twitter feed with helpful marketing information because she believes that marketing should be driven by brand and not by specialty.  Follow her at @SuzanneSeaseInstagram

Success is more than a matter of your talent. It’s also a matter of doing a better job presenting it.  And that is what I do with decades of agency and in-house experience.