Bikepacking

Photographer: Nathan Khalsa

Heidi: How did this project come about, were you published by Bikepacking before?
Nathan: The project was born out of how most of my work is born. I want to go do a thing, and I bring a camera along. Lucky for me, I was accompanied by two other photographers so the body of work was much more substantial. This was my first time contributing to Bikepacking. An editor that follows me on Instagram had reached out to me to ask if I’d like to do a little write-up to be featured. I thought it was an awesome opportunity because I love that publication, I didn’t even realize it would be paid until after I turned it in. I was just stoked for the opportunity. I haven’t had a consistent writing practice since college, and I’d be lying if I said it wasn’t challenging, but I’m eager to keep looking for more opportunities to develop that side of my storytelling.

Did you keep a journal to remember all the details of the trip?
I do find great value in a journal, but I don’t typically find that it fits into my process, especially when I’m trying to shoot and be present. For this particular narrative, I feel the photos did a good job of being the journal. They go a long way to bring back feelings and memories. On my next bikepacking escapade, I would like to make an effort to keep a journal, because it is a great way to document the little details you may forget.

How difficult was the photo edit and how many rolls did you shoot?
Between the 3 of us over a 4-day trip, I think we shot 10 rolls. I shot 3 and a half. The editing was extremely difficult, but I always have a hard time editing down. Especially with 2 other photographers, it was difficult getting it down to the number Bikepacking specified, telling the story, and making sure we all had good representation. I feel like a lot of interesting moments were captured, some that unfortunately didn’t make it into the final article. I suppose that’s just the nature of the beast. 

I know you can ride a lot and manage work from the hearty numbers you posted for the Patagonia Global strava challenge and your 2020 bike tour. When you’re bikepacking, there’s always something to prep or clean up, how did you find time to create the images?
Good question. There is also the dichotomy of living the experience and being outside of it to photograph it. I think I have been doing it for a long time, so at this point, I am always looking for those interesting moments. I’ll drop anything I am doing if the light is hitting just right, or a composition jumps out at me. It also helped to have 2 friends who are also very familiar with the photographic process, so they are easy subjects.  An ill-advised but handy trick is to ride with one or no hands and shoot from the bike, which allows for some really cool and dynamic shots. That is something I got lots of practice with on my 2020 bike tour. Being relatively comfortable with the activity is also important. I am comfortable living off of a bike, and have a system down that works, so I don’t have the stress of “Where the hell am I going to put tonight’s dinner in one of these bags?” or “I thought I packed my pump…” Being prepared goes a long way so you can focus on not only shooting, but enjoying.


It’s not bikebacking until your pushing, a friend once said. Tell us about this photo.
This photo didn’t make it in the final edit, but is a pretty good visual on how hard we were working climbing up Mt. Constitution. The trails were at inclines that were not bikeable, so it turned into a 2 mile slog pushing heavy bikes up the mountain. Paddy and I were both worried about Hank as he was having some health issues feeling faint, especially at high output. Not having many options besides keep going up, we were hoping to find the top sooner or later. Hank has one of the best attitudes though. Always down for an adventure, and hardly said no to anything, he pushed through and was ok. When we got to the top, the road coming up had closed, so the ride down was a smooth, fast, car free descent at sunset back to camp. Worth every ounce of hard work.
Where does your love of film and photography come from?
Photography is such a strong form of communication for me. It’s a form of creative expression I clicked with at a young age, and what drives me to keep shooting is to capture emotions, memories, and the intangibles of experiences and places.
While I don’t solely shoot film, 2 things draw me to it, but I’ll skip the cliche part everybody already knows about it having a timelessness and nostalgia that is very appealing. For me, it’s mostly the simplicity. Not staring into the back of your camera over-analyzing every shot, not having 10,000 photos to sort at the end, not having the plethora of settings to concern yourself with, not missing the shot because your nose made the focus go to the bottom left of the frame because your nose touched the touch screen. As a tactile learner, I have a big appeal to analog. Modern digital cameras are incredible tools, but film is invaluable for finding each shot a little more precious, and spending less time with the camera and more time in the experience.
Who are your photo inspirations, if any….
Chris Burkard has been a big inspiration to me over the years. Not only his images, but his whole life ethos is noteworthy. And he does some epic bike rides. Another would be Jeff Johnson. I have looked up to him and his adventurous spirit for over a decade, and I love his collection of work from 180º South. One more recent would be Joe Greer. He has an incredible eye for light, composition, and timing. His genre isn’t something I find myself shooting often, but his style I find very appealing that I’d love to draw from.

Are you working on any personal projects?
No personal projects at the moment, but I am looking to make some lifestyle changes to make some more time for photography pursuits soon.

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