We emailed Art Buyers and Art Producers around the world asking them to submit names of established photographers who were keeping it fresh and up-and-comers who they are keeping their eye on. If you are an Art Buyer/Producer or an Art Director at an agency and want to submit a photographer anonymously for this column email: Suzanne.firstname.lastname@example.org
Anonymous Art Buyer: I nominate Q. Sakamaki. I always find myself lingering over Q’s dreamlike images. Even though many images in his mailers were taken with Instagram, they have a nostalgic vibe, especially the double exposures. Work on his site is classic, news journalism. He is not afraid to tackle difficult subjects, although it may be difficult to find commercial applications for his work.
How many years have you been in business?
More than 25 years.
Are you self-taught or photography school taught?
I think both. I went to a photo school in New York, but the curriculum was very short (9 months or so). Indeed, for many parts of photography, I learned by myself.
Who was your greatest influence that inspired you to get into this business?
Deborah Turbeville and Sara Moon. And Yukio Mishima might have given a big influence to me even for the question, though he was a novelist.
How do you find your inspiration to be so fresh, push the envelope, stay true to yourself so that creative folks are noticing you and hiring you?
By checking, feeling, reading and listening to any kind of great art. Also lately I have been dong Instagram through which I can get inspiration, especially when I encounter great, yet different type of photos.
Do you find that some creatives love your work but the client holds you back?
Yes. It is natural in this industry, but also one of the most disappointing things, especially after committing lots of energy and time.
What are you doing to get your vision out to the buying audience?
Recently I have found that Instagram would help for the purpose, though still on the way of the experiment. Also my agency Redux helps. Though the best way is to directly communicate with those in face to face.
What is your advice for those who are showing what they think the buyers want to see?
Thinking too much about what they want to see is not good. It makes less originality. Any great art comes from the artist’s original vision, not from others.
Are you shooting for yourself and creating new work to keep your artistic talent true to you?
Yes, I often shoot for such a purpose somehow or to make myself grow more.
How often are you shooting new work?
In recent years, I have started to shoot New York again, very often, most time purposely by iPhone. Though I may restart using more other cameras, too.
Q. Sakamaki is a documentary photographer, covering war to socio-economy in the world, as well as many other social issues, combining the journalistic views and the story-telling with aestheticism. In recent years, his works also contain many of personal matters and views. Actually by dong so, he is exploring and shooting his own self-metaphors. His photographs have appeared in books and magazines worldwide including Time, Newsweek, and Stern, and have been exhibited in solo shows in New York and Tokyo. He has received many international awards, including World Press Photo and Olivier Rebbot of Overseas Press Club. Sakamaki holds a Master’s degree in International Affairs from Columbia University in New York. He has published several books, including “Tompkins Square Park” – photo essay of New York Lower Eastside’s anti-gentrification movement, by Power House Books. Sakamaki is represented by Redux Pictures.
APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s, after founding the art buying department at The Martin Agency then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies. She has a new Twitter fed with helpful marketing information. Follow her@SuzanneSease.