We live in a post-photographic world now

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I’m especially keen now at looking into how Europeans edit photographic stories because the have a very different point of view than us Americans. It’s a bit more existential and less obvious. In many ways, it’s liberated from structures that we impose on our storytelling. I love tradition, but if we are all telling stories in the same way, I think we do our subjects a disservice as well as the public.

Maggie Steber via La Lettre de la Photographie.

There Are 2 Comments On This Article.

  1. I wish she would have expounded on some of the differences between the European and American methods and styles of editing. What structures are Americans imposing? What liberates the stories from them?