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The New Yorker
Arts Editor: Françoise Mouly
Photographer: Hans Gissinger
Food Stylist: Victoria Granof
Note: Content for The Daily Edit is found on the newsstands. Submissions are not accepted.
Heidi: Did the confection come with the cricket?
Hans: No, we ordered the treat and then the food stylist got the crickets.
Where did she get the crickets?
From a pet, store, they were frozen. It’s a very expensive source of protein, about $500 per pound.
Did you eat the treat?
No, no one on set ate the crickets, who knows what the crickets ate, so we were not tempted.
There was a model on set, was that part of the requirement when she was cast, her willingness to eat a bug?
Yes, she had to be willing to bite into it, but not eat it.
I loved the tartas section on your site. How did that body of work come about?
A pastry chef friend of mine in Barcelona was celebrating the 100th year anniversary of his bakery and he asked me what he should do to celebrate.
I said, “Explode your tarts”
His father knew a pyrotechnician so we shot with a high speed movie camera that captured about 300 frames per second.
How much film did you have to edit?
23,000 total frames for 15 tarts.
8 Comments
Like.
Here we go again…
yup.
I remember seeing this shot and immediately liking it — but given the context it was published in, that it was entirely fabricated rubs me the wrong way.
Beautiful.
Not bad for a quarter page, huh?
Thanks for this selection.
[…] a look at Hans’ New Yorker photos, which Rob Haggart’s A Photo Editor featured in “The Daily Edit” today. And here’s a link to Eva that offers a glimpse of the restaurant’s interior and […]
Worthy of a larger space, immediately did grab my attention. Nice pose and frosting :)
Here in Cambodia we eat them as snacks, and they are one of the cheapest proteins… if you are wondering, tastes a bit like chicken;
[…] Hans Gigginger photo from The New Yorker […]
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