As a former Art Producer, I have always been drawn to personal projects because they are the sole vision of the photographer and not an extension of an art director, photo editor, or graphic designer. This new column, “The Art of the Personal Project” will feature the personal projects of photographers using the Yodelist marketing database. You can read their blog at http://yodelist.wordpress.com. Projects are discovered online and submissions are not accepted.
Today’s featured photographer is: Trevor Reid
How long have you been shooting?
I have been shooting for 5 years.
Are you self-taught or photography school taught?
It depends on what skills we are talking about. I had a great photo teacher in high school and then attended RIT, both of which provided a solid conceptual and technical foundation. My assisting experience in New York City really taught me everything from large-scale production and lighting to talent management. I picked up business, marketing and personal skills on my own and of course learned a lot shooting for myself. I also had the opportunity to shoot side by side with one of my mentors for a few years, he taught me more than words can describe. You never stop learning, and there is so much to be learned from different people at different times.
With this particular project, what was your inspiration to shoot it?
This was the third time I went down to shoot spring training in Scottsdale, AZ and I had previously noticed that most players and clubs are very generous with their time and access. Along with the desire to shoot something unique, I wanted to give the players something tangible after they gave me their time or I stole a moment. Polaroid just popped into my head and I always wanted to shoot with an SX-70. Every time I photographed a player for this series, I would shoot two frames and give them one to keep.
How many years have you been shooting this project before you decided to present it?
Years?! Some things take time, others come together quickly. This one came together quickly. I was down in Scottsdale for three weeks and shot almost every day. By the end of the project I had around 350 Polaroids to myself for an edit. In today’s digital age, it seems like so few…but I think so much more when shooting film…and even more when shooting Polaroid. I have no doubt that I will continue to shoot Polaroid over the next several years and this project will continue to grow.
I have another personal project, USA Handmade that has been in the works for two and half years now. There’s a glimpse up online, and I’m excited for the project to continually evolve.
How long do you spend on a personal project before deciding if it is working?
Honestly, I don’t really think about if its working on not. It’s a personal project, ultimately it needs to resonate with the person who created it, if it does, then it’s working.
Since shooting for your portfolio is different from personal work, how do you feel when the work is different?
It feels great! When I do my personal work I’m not thinking about meeting my clients needs or looking to fill a gap in my book. I’m simply doing what I love to do in its purest form, taking pictures and trying to make beautiful images.
If so, has the work ever gone viral and possibly with great press?
Nope, I need to do a better job of getting it out there; it’s also impossible to know what will go viral when or where.
Have you ever posted your personal work on social media venues such as Reddit, Tumblr, Instagram or Facebook?
Frequently! It’s a great way to get unpublished work out there for the world to see.
Have you printed your personal projects for your marketing to reach potential clients?
I have some special plans for printing this project, and USA Handmade.
Trevor received his Bachelor of Fine Arts from Rochester Institute of Technology (RIT) where he focused primarily on advertising photography and production. Trevor has been working in New York City and Boston for several years where he has established relationships with HBO, ESPN The Magazine, Titleist Golf, Men’s Health, and Boston Magazine, amongst other editorial and advertising clients. His work can be seen in several publications and advertisements nationwide.
The Polaroid project is an ongoing personal project by photographer Trevor Reid conceptualized to give back to the people who help create the moments Trevor captures. Each time Trevor photographs a person with his Polaroid SX-70 he shoots two Polaroids and gives one away to his subject. “In some ways, I feel guilty about capturing moments and feel the need to immediately give back. This project provides a way for me to do that.”
APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s, after establishing the art buying department at The Martin Agency then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies. She has a new Twitter feed with helpful marketing information believing that marketing should be driven by a brand and not specialty. Follow her on twitter at SuzanneSease.