OTMFC is a collective of great photographers and assistants that come to your job with a truck load of experience and equipment to get it done right. I caught up with David Hudgins, one of the founders, to see what this is all about.
Heidi: Have to ask, how did you come up with the logo?
David: The logo was drawn up on a bar napkin.
When you don’t want to drop the f bomb, what’s the replacement?
Over The Moon For Christ is one of our favorites, but we always prefer to drop the F Bomb!
How did this business idea come about?
We got tired of showing up to a shoot and realizing that we forgot to order that one little piece of equipment that we could not do without. We decided to build a truck and have it come standard with all of those little pieces. All you had to do was book the truck and you would have everything you needed to do a photo shoot. It made our life and everyone else’s life easier. When you focus on creating a product that works great for your client, the successful business follows.
You have 3 kitted out trucks right now, do you have plans to expand your fleet?
We are always looking at ways to improve what we are doing. When we decide to take action will depend on the needs of our clients.
How did you decide what each of the 3 trucks would be kitted with?
Through years of experience working on set and placing orders, we knew what equipment we would need for different size shoots and budgets. We tailored equipment packages around these parameters.
Can you do a la carte and or is it a flat fee?
We provide both! We have trucks that come as a package at a set price. We also have trucks and cargo vans that are a la carte and can be built out to accommodate any size shoot. You can also have equipment delivered and picked up from your set.
Have you ever been on a job where the photographer has SO MUCH to choose from they go into option paralysis or they keep changing their set up?
Once we had a whole truck load of equipment, 50,000 watts of light, motion picture lights, etc. The assistants spent hours lighting the set to perfection then the photographer turned in the opposite direction and shot talent with an on camera flash. They never even used the set! That has happened to us so many times we have lost count.
One of the biggest problems photographers seem to have is editing. Whether it is narrowing down the images from your shoot, deciding what couture gown talent will wear, or deciding which lighting setup you will use, a photographer always likes to have options so they can pick the best solution.
Does it ever happen where someone orders the biggest set up you have and then shoots available light? Would you call that your dream client?
Again, that happens all the time. We had a shoot last week where we hauled the contents of a whole truck, including generators onto the roof of a building. The assistants setup all of the lights, and the photographer used a flex fill for the first 2 shots and a flashlight for the last 2. They are not necessarily dream clients, because you still have to setup and breakdown the equipment. The dream client would be the one that gets a truck of gear then tells you to leave it all IN THE TRUCK and then lights available light.
We have a joke about “available light,” because when a photographer says they are going to shoot available light, you think it will be an easy day…then they end up setting up every light you have available and it becomes a long brutal day.
What’s the advantage of hiring you over let’s say renting individual items, cost I assume and variety? Why else?
Passion and experience.
How much new equipment do you invest in on a yearly basis?
This depends on what equipment comes out. Some years have more new toys that others.
How do handle the lighting demands of a still and video shoot on a job where they require both and need to be shot at the same time? Are you noticing a trend towards continuous lighting?
There is a lot of convergence between continuous and strobe lighting. The challenge is finding, understanding, and providing the tools to give the photographer their look with both options.
Your site has an extensive roster of available crew, how do you get on the list? Who vets them?
The people that are on our list, are people we have known and worked with. There are a lot of great assistants in LA that we have not had the pleasure of working with. We try to add people after they have worked with several other assistants on our list and have been recommended by them and our clients.
Are any of your guys aspiring photographers or are you all committed to running this business?
There are a handful of us that are dedicated to running the company. The rest are great assistants and great photographers.