An associate tells me what it’s like to shoot with the provocative Mr. Richardson.
Art Direction for Terry was a question of what he wanted to do…and we pretty much let him go.
I was really nervous to meet him, you know he’s too cool for school and I felt a bit like “the man”, but he’s a total sweet-heart while at the same time guarded. He’s a celeb unto himself!
He talked about the Lohan shoot and I asked how he had gotten her to crawl across the mirror, an obvious reference to cocaine. He smiled and said it was all about throwing so many things at the subject that they didn’t have time to say no. Which I think is his genius, no matter who he’s shooting he can convince them to be a little wilder and that’s why I love him.
Nice. Thanks for the insight.
I dig Terry’s work. He makes compelling pictures without the aide of expensive cameras, film and retouching (not always of course) through a strong point of view and a connection to his subject.
I hear Alessandra Petlin is working on several big editorial projects. Repped by Rob Magnotta at Edge she’s been on my list for awhile now but it appears she’s blowing up. Go ahead and publicly shame me if she’s been hot since PDN 30’d her because I’m not exactly working on cutting edge shit here… if you can tell by my photographer posts so far. And, yes I realize she’s shot for the NY Times magazine since like, forever.
Oddly, it was a writer who made a strong recommendation and that convinced me I had to find something worthy ASAP.
Of all the ways to get your foot in the door at a magazine this is certainly a very good one (of course that depends on what it’s like to be a first assistant but I wouldn’t know about that). I know photographers don’t like to be known as “former first assistants to so and so photographer” (especially when their styles look similar, as they inevitably do) but it certainly has an impact on me when I hear about it.
When I first started working with Martin Schoeller he was Annie’s former first and boy did he have some great stories to tell. Interestingly, Martin’s former first has given up photography to become a helicopter pilot… but I don’t think it has anything to do with his experience as an assistant. Maybe more to do with his experience trying to become a professional photographer.
I’ve recently started working with Dan Winters current first (guess there’s not a lot of work down there in Austin so he’s got two jobs) and I’ve had nothing but great results.
An up and coming young editorial photographer dropped by the office today to give me film from a small shoot he did. He got his start in action sports so when he reached into his pack to show me the new camera he’s been shooting with wasn’t I surprised to see him pull out a brand spankin new 4×5.
Sure, digital has taken over the photography world but I still love seeing film.
Antonin is one of my favorite photographers of all time. I love giving him an assignment, especially something that’s not conflict related, because you’re guaranteed two things. 1. Amazing photography. 2. A fight with the editor. There’s really no two ways about it, Antonin’s photos are not conventional and most of us work at magazines that need and want and mostly publish conventional photography so there’s gonna be a fight with the editor(s) to get the good one’s published. At least, when you’re making the assignment, the fight is a long way off and all you think about is the glorious frames you will receive and the many endless possibilities for amazing 20 page layouts.