by Jonathan Blaustein
In the 90’s, Michael Jordan was a god. He could fly, like Superman, and his ubiquitous Gatorade commercials implored us to “Be Like Mike.”
Back then, we had a kid on our soccer team named Mike Belasco. We teased him by singing that Gatorade song, and at one point, I bought the cassette-single, (yes, they existed) so we could torture young Mike with regularity.
Sample lyrics: Sometimes I dream, that he is me. The shots I make nobody else would take.
But Michael Jordan refused to take shots at certain corporations, or become politically active, for fear of offending potential consumers. His famous reputed quote: “Republicans buy sneakers too.”
Unlike Mike, I have used this weekly platform to spout off my opinions for the last 5+ years. If you’ve been coming each week, you’re well aware of my thoughts on President-Elect Trump.
You might expect that I’d rail against injustice today, or lash out in anger, but you’d be wrong.
Not today. (I’m writing the morning after the election.)
Though I admit to being extremely disappointed, within the system we possess, Donald Trump won the election fair and square.
He got more votes in the Electoral College.
Hillary Clinton’s popular victory, while ultimately fruitless, proves we are indeed a divided country. Split in two, it would seem.
I read the think pieces today, and wasted time on Twitter and Facebook. It made me feel bad. And you know what I realized? Nobody knows what’s going to happen.
Whether it’s fears of a wall, a mass deportation police, or some new war in the Middle East, nobody knows what’s coming.
Nobody knows if President-Elect Trump will shed one character and adopt another, since he’s a modern day reality TV actor, just as Ronald Reagan was a B-movie star.
Nobody knows what the future will bring.
I promise you: it’s entirely unwritten. Maybe he’ll do some good things amid the many bad things to come? Or maybe the bad things won’t come?
Your fear of the future, of the unknown, of what he’ll do next, none of will do you any good. It’s just wasted energy. It burns calories, worrying, and better to save them for being creative, and expressing your freedom of speech during these next 4 years.
I admit, truthfully, that I did wonder last night if there was an archive of all the people who wrote nasty things about him? If I weren’t on some list?
But then I realized that was crazy. I’ve championed freedom of speech many times in this column, and intend to exercise the right going forward. There is no list.
Now, though, it’s time to “Be Like Mike.” If my repeated expression of my own political views has bothered you, when you were just looking to see some pictures of a photo-book, I apologize.
I’m going to continue to keep it real, but if you are among the many, many millions of people that voted for President-Elect Trump on Tuesday, I appreciate that you’ve been reading. I hope he’ll able to do some good things as President, and for all we know, his Art-of-the-Deal jujitsu skills might do the country some good.
As far as we artsy-liberal-types go, though, a few minutes ago I saw a tweet by comedian Eugene Mirman, who does a great voice on “Bob’s Burgers.” He said he looked forward to all the great art and music that would emerge from the first Trump term.
I couldn’t agree more. (#MakeStuff)
As artists, we’re blessed and burdened with the responsibility to report on our culture. It’s what we do, and I guarantee some kick-ass shit will come out of whatever it is that’s about to happen.
Speaking of making stuff, though it feels like another lifetime, it’s easy for me to recall the best work I saw at the the Medium Festival of Photography in San Diego last month.
I’ve been there before, as you know, and the founder, scott b. davis, is an old friend. Medium works because it’s small and homey, with a positive vibe. It’s not a heavy drinking/partying festival, but it is set at the Hotel Lafayette, which has a cool pool surrounded by palm trees, in case you want to catch some sun.
You need to have a car, or use Uber, if you want to get around the city or head to the beach, but it’s just as easy to stay put. For whatever reason, even though North Park is not super-gentrified yet, there are a handful of excellent restaurants and cafes within 3 blocks of the hotel, so you can easily stay in the neighborhood.
Medium, like Filter, is not juried, so I expect to see a wide range of work. People continue to come asking for feedback, and I try to give it as honestly and kindly as I can. Luckily, this time I saw some interesting things, and am sure you’ll agree.
As usual, the photographers are featured in no particular order. Hope you enjoy their work, and we thank them for letting us share it with you.
We’ll get things going quickly with Adam Frazier’s work. Adam’s based in Las Vegas, and used to be a musician. He felt he wasn’t good enough an improviser to continue, so he gave it up and switched to photography. He worked with a dancer named Darius Hollins to try to capture motion in an authentic way, and I think he definitely succeeded. The photographs are dope.
I met with Adriene Hughes at Medium a few years ago, and we published her performative pictures back then. What she showed me this time was very different: images she made during a residency in the Arctic. I liked both of two sets, but preferred this group, as the naked digitality grounds it in our scary times.
I’ve seen a lot of work from up there lately, (including one project that verged on plagiarism,) and at some point, people just tune out, rather than in. I love these colors, and think it might be a more interesting take on documenting icebergs and glaciers before they disappear.
Deb Stoner had some pictures that are not the sort of thing I’m normally into. They are beautiful images of natural objects, and I often expect more than just pretty. (I like edge, as you know.) But there is something that works here, that helps me to appreciate the flowers and branches and bugs. I give her props, and certainly don’t mind seeing soothing things like this in such a crazy week.
Jim Graves is another photographer I’d met at Medium before. I recall our encounter as being a little strained, as I challenged him to make pictures that had a more specific vision. He came back to the table this year with a set of medium format, black and white photographs that I really enjoyed.
We talked about how he pushed his process a bit, including taking a trip to Ireland, where he made some really killer photos. I like that they play with implied narrative, and occupy the weird-but-not-creepy zone, and think you’ll like them too.
I’m starting to realize there’s a bit of a theme today, in that much of the work is uplifting or pleasurable to look at. Sally Ann Field carries that line through with her irresistible series, “Punch Bug.” Between the immediate memory of playing the Punch Buggy game, smacking my brother Andrew in the arm, and the other memory-trigger of “Herbie the Love Bug,” this project gives me a perma-smile. I think it’s got coffee-table-book written all over it.
Finally, we’ve got Tami Bahat. This is the first group so far that plumbs some depths, but still, it doesn’t make for an uncomfortable viewing experience. Tami said she’s always felt like she belonged to another time, and here, she’s used her friends and family, in a jimmy-rigged studio, to evoke a sense of the Renaissance.
It’s hard to make work like this, because it’s easy to fall into kitschy tropes, but I love these. The symbol choices, which often required animal wranglers on her own dime, are pretty much perfect. Tami is doing well with the project, and I’m not surprised.
More next week. Keep your head up, and see you then.