John Stanmeyer begins a multi-part blog series on what it’s like to shoot for National Geographic:
Photography on very convoluted stories often flows like this: 70 percent research/logistics, 20 percent serendipity…and 10 percent photography.
It’s one thing to pen up a story proposal based upon research collected from news stories, books, feelings and direct observation. A proposal next evolves into a “Oh shit, now I have to make this happen!”
Some stories visually speak for themselves — war/conflict, social revolutions, famine and other event driven stories are primarily (though not all) about recording the occurrence transpiring before us. Long term photography projects are meditative, layered and protracted.
They can also be riddled in logistics, especially when it’s a story being told from many locations, like the food crisis would become.
Note: He’s got other interesting posts up on shooting a book with a holga and music. Check it out: http://stanmeyer.com/blog/